Throw Distance
Notes on light, space, and spectacle — what caught our attention this week across lighting, architecture, art, stagecraft, and the technology of shared experience.
The Calendar — what's on now
Ongoing, No End Date
This week: seventy-five thousand paper kites with no closing date, a hundred and fifteen channels of migrating voices, and a Victorian pumping station open for five days.
Read the issueArchive
The Cinema and the Museum
This week: two Singapore landmarks turned into a judged competition and a folklore canvas, a moving light that folds a pixel-mappable screen into its own face, and 250-plus fixtures across two stages at Ultra Europe.
Read
Every Fixture Knew Where It Was
This week: eighty lights that told the console where they were, a diffusion pipeline that treats a building as its own constraint, and a hall in Santa Fe holding two kinds of almost-nothing.
Read
The Monument and the Main Hall
This week: lasers on Lady Liberty, a Town Hall dissolved in light, and a new home for light art in Durham.
Read
The Tower and the Kaleidoscope
This week: the world's largest permanent projection runs nightly on a Tokyo tower, seven decades of Julio Le Parc turn Tate Modern into a playground, and a season of machine-made art asks what comes after us.
Read
The Power Plant and the Archive
This week: one canvas for every artist at Electric Forest, twenty light works fill a Hungarian power plant, and two long runs reach their final days.
Read
Light, at Civic Scale
This week: a national museum opens with light as its first language, Los Angeles builds the world's largest pop-up book, and two landmark light shows enter their final days.
Read
A museum taught an AI to dream in public
This week: the Smithsonian facade, 58 moving battens, the case for darkness, and the ceiling everyone finally looks at.
ReadGet the next one by email.
No schedule promises. Only when there's something worth sending.